Head for Analytics

Showing posts with label People. Show all posts
Showing posts with label People. Show all posts

Sunday, December 20, 2020

Life - Not Worth Celebrating

 Life - Not Worth Celebrating


I have been grappling of late with the feeling of being a friend in passing. Where people only message when they need something, or as a perfunctory thing in between actual events, with no stakes, and often only with responses of "Nice" and "Yeah".

And it makes me want to socially withdraw, which seems to compound the issue. It is this feeling of being socially outcast, where I have no one to discuss thoughts or emotions, even though I'm not actually 'down' or feeling negative, these connections are profoundly unsatisfying and commonly feel not worth the energy to develop further. I don't feel like the summation of human contact with others should be constantly through the lens of suffering or needing help.

Covid has emphasized this feeling of societal drift. I feel like I don't have anyone to celebrate with.

Maybe there's nothing worth celebrating.

Maybe I'm not worth celebrating.

Monday, July 22, 2019

Life - Falling Out

Life - Falling Out

You asked me once. To not share my writing with you anymore. It was too heavy, it hurt too much. It was too emotional for you.

So I stopped.

I never mentioned my writing to you again.

But I did not cease.

Wednesday, June 5, 2019

Friday, May 24, 2019

Letters - 12 / 15 Dear Person I Hate

Letters - 12 / 15 Dear Person I Hate

Dear Person I Hate,

I forgive you.

It doesn’t mean I don’t also hate you.

But I forgive you as well.

Me.

Thursday, May 23, 2019

Letters - 11 / 15 Dear Person I Love

Letters - 11 / 15 Dear Person I Love

Dear Person I love,

I love you. It’s hard to say, in fact I rarely say it. I know you say that often to me, and I’m not entirely sure what my hangup is on saying it back. But I do love you. For all the support over the years and how we’ve often had so many conversations about our art, our work, and about the changing world. For so many late nights and meals cooked. For sharing walks through parks together, splitting a sip of wine, early morning phone calls (you are literally the only person I regularly speak to on the phone before noon), late night messages, sweeping stages together.

Monday, May 2, 2016

Writing - Missed

Writing - Missed

I should have told you I loved you.

Before I packed my bags and walked out the door.

I should have kissed you for longer.

I regret.

That when you kissed me on the lips.

I turned aside.

For what could have been.

And wasn't.

Tuesday, February 17, 2015

Goodbye - Gilda Radner

Goodbye - Gilda Radner



Bill Murray on Gilda Radner:

"Gilda got married and went away. None of us saw her anymore. There was one good thing: Laraine had a party one night, a great party at her house. And I ended up being the disk jockey. She just had forty-fives, and not that many, so you really had to work the music end of it. There was a collection of like the funniest people in the world at this party. Somehow Sam Kinison sticks in my brain. The whole Monty Python group was there, most of us from the show, a lot of other funny people, and Gilda. Gilda showed up and she’d already had cancer and gone into remission and then had it again, I guess. Anyway she was slim. We hadn’t seen her in a long time. And she started doing, “I’ve got to go,” and she was just going to leave, and I was like, “Going to leave?” It felt like she was going to really leave forever.

So we started carrying her around, in a way that we could only do with her. We carried her up and down the stairs, around the house, repeatedly, for a long time, until I was exhausted. Then Danny did it for a while. Then I did it again. We just kept carrying her; we did it in teams. We kept carrying her around, but like upside down, every which way—over your shoulder and under your arm, carrying her like luggage. And that went on for more than an hour—maybe an hour and a half—just carrying her around and saying, “She’s leaving! This could be it! Now come on, this could be the last time we see her. Gilda’s leaving, and remember that she was very sick—hello?”

We worked all aspects of it, but it started with just, “She’s leaving, I don’t know if you’ve said good-bye to her.” And we said good-bye to the same people ten, twenty times, you know.

And because these people were really funny, every person we’d drag her up to would just do like five minutes on her, with Gilda upside down in this sort of tortured position, which she absolutely loved. She was laughing so hard we could have lost her right then and there.

It was just one of the best parties I’ve ever been to in my life. I’ll always remember it. It was the last time I saw her.”

- from Live from New York: an Uncensored History of Saturday Night Live

Thursday, October 9, 2014

Life - First Aid

Life - First Aid

This morning there was an accident right in front of me on Cambie and 41st.  Car ran through a red light (or a realllllly stale yellow) clipped another truck (one of those tiny little gardening-esque ones) and caused it to flip onto its side and skid down the road maybe 20 feet.  There's always that sort of instantaneous moment where everyone freezes, did that actually really happen?  We all watch in tableaux as everything comes to a stand still, a horn blares, people on the street look around to each other, and then...just slowly everything snaps into realtime.

I go rushing across the street to the flipped vehicle, another guy runs along the other intersection to it as well.  Out of the corner of my eye I see a girl walk to the car and see if that guy was alright, he's pulled to a stop though now on the far side.

We lean in to check on the driver, he's dazed but seems alright, a few cuts to his hands and face where the windows have shattered from hitting the pavement.  We tell him not to move, but he starts pulling at his seatbelt already anyway.  The other guy gets on his cell phone and starts to call 911.  I drop my bag and start rummaging for first aid supplies, a bandage, some alcohol wipes.  I am a stage manager still, I am always prepared.

Time slows, I see clearly traffic going east and west slowly begins to inch its way, people gawk from behind their steering wheels.  A young man walks past me, I catch his eyes, he deliberately puts on his headphones.  I see him then, and all around me, these two dozen souls going somewhere on a busy thursday morning.  Late for work, business, making money, open the shop up, places to be, business to do, class to attend.  A a young puts his headphones on.  He closes the world out, he ignores this thing which has impacted his day by minutes.  He puts his headphones on.  In his Reebok sneakers, slightly too tight jeans that aren't cuffed properly, his too-hipster toque and his Beats by Dre headphones.

His smirk.  As he ignores people in need.

He puts his headphones on, deliberately.  And walks on by.

The driver heaves himself out of his seat, time speeds up.  We get him to the grassy meridian and tell him to sit down.  He wants to help, to gather the stuff that has fallen off his truck, we tell him we'll get to it.  I bandage his hands, two cuts on his fingers, just behind the knuckles. One cut on his forehead, it's bleeding down into his eyes.  He tries to get up again, I tell him to wait until I'm done, that help is coming soon, that the three of us can't flip his truck back on its wheels anyway.

He tells me he's grateful, he thanks me, again, again, again.  He tells me that not many others would have stopped.  Not many others would have helped.

I tell him that isn't true.  I think of the young man, and his headphones.  I tell him that isn't true, but the words taste like a strange ash.  I tell him it isn't true, someone would've helped, lots of people saw, people would have helped.  People are helping, right? I think of the young man, and his headphones.

Five brisk minutes later, responders are already on the scene.  A fireman has taken my name and number, I'm walking down the stairs to the train.  I wait on the escalator, delicately brush a small piece of glass out of my jeans.  There's no blood on my fingers, I run a hand through my hair and exhale.

The young man is standing on the platform there.  In his hands is a Starbucks coffee, a small brown bag with some bakery pastry.  I look at him, he looks at me.  He has the good sense to look away almost immediately.  Scuffs his feet, looks down at his shoes. His Reebok sneakers.

Something rushes through me.  I want to scream at him, I want to yell and rage.  I want to ask him if that's what he was so pressed for.  His fucking Venti no-fat latte with fucking cinnamon and pumpkin spice?  His five minutes where he couldn't have even bothered to have asked if more assistance was needed.  His goddamn muffin or whatever is in his damn little bag?  A myriad whirlwind of thoughts goes by. I want him to feel bad, to feel small, to feel abashed and shamed and to question his humanity card. I want him to feel...something.  I close a fist, and then release it.

And then it burns itself out. I realize I'm tired.

I walk past him, as I get in front of him, I hesitate, and look out of the corner of my eye at him.  He stiffens.  I continue on, another ten feet down the platform and lean against the stone wall.  I wait for the train.

There are no answers.  I close my eyes.  Darkness floods in, and the rush of wind heralds a train coming through the tunnel.  I vanish into the people.

Saturday, June 7, 2014

Quotes - Plato

Quotes - Plato

Any one who has common sense will remember that the bewilderments of the eye are of two kinds, and arise from two causes, either from coming out of the light or from going into the light, which is true of the mind's eye, quite as much as of the bodily eye. - Plato

Saturday, April 19, 2014

Writing - A Box

Writing - A Box

Upon coming of age, every human being is given a box. The box can be opened only three times, and the only certainty is that opening will radically change your life. You are on your deathbed when you decide to open your box for the first time.

Wednesday, February 19, 2014

Life - Onism

Life - Onism

n. the frustration of being stuck in just one body, that inhabits only one place at a time, which is like standing in front of the departures screen at an airport, flickering over with strange place names like other people’s passwords, each representing one more thing you’ll never get to see before you die—and all because, as the arrow on the map helpfully points out, you are here.

Thursday, January 30, 2014

Inspiration - Teaching

Inspiration - Teaching

This read was inspiring.  Just really really cool.  Teachers are awesome.


Thursday, January 16, 2014

Writing - I Almost

Writing - I Almost

I almost clicked on your name tonight.  I saw you pop up for but a scant second the first time in a while I had caught it.  The green blinking button of 'available' taunted me on.  I almost clicked on your name tonight.  But I didn't.

I didn't because I didn't have anything to say.  I didn't because I had nothing to talk about.  I didn't because I imagined you would not be interested in anything I had been doing.  That we had become such different people, living different lives.  That what we remembered of one another was from a decade hence.  I didn't click on your name because I didn't want to have to explain.  I didn't want to sort out whether or how much joy I should convey, how much happiness.

I didn't because I don't know how honest I can, or should be with you.

I didn't click on your name because we haven't spoken in forever, we haven't left one another a message in...years.  We do this strange little dance around each other on our birthdays, leave cookie cutter messages and cookie cutter 'like' clicks.  I wonder if you are caught up with the whirlwind that is my world.  I wonder if I'm caught up with yours.  I can't be.  We haven't spoken.

I didn't click on your name because that's energy, to reconnect.  To hear the stories about.  To hear you talk about your dog or your cat, your girlfriend or your boyfriend.  Your wife.  Your husband.  Your son.  Or daughter.

Or your new car.

I didn't click on your name because you found me boring, a decade before.  You found me boring because I wasn't worth getting to know, in your mind at least.  Maybe that's still true.  Maybe you'd still find me boring.  That's alright.  I understand that.

I didn't click on your name, because I'm afraid the sound of your laugh might not be the same as I remember it.

Thursday, January 9, 2014

invertedFall - Why

invertedFall - Why

Over the last six months, as the game design quietly emerged around invertedFall, we were often asked "What's the story?" "Why did you choose to have a female main character?" "Why is she in a wheelchair?"

Tuesday, December 31, 2013

Wrap up - 2013

Wrap up - 2013

2013, a year of travel, of friends, art and hard work.  A lot more sunrises and sunsets then I usually see.  A lot more drawing, a lot more coding.  A lot of moments, a tremendous amount of fun.  A bit of sadness, a lot of truth.  Some difficulty, some hardship, and a lot of change.

It was a year of seeing more of the world, of shaking hands, of meeting people.  Of adding friends, saying hello, sharing jokes, and laughs, and beers under a cerulean sky.  It was a year of selfies with my peeps, of late night laughs with Kristi, Cole, Keith, Ben, Tessa, Eric and Amber.  It was a year of sampling bagels in another place.  It was a year of eating on the pier as seagulls wandered over to have a chat.  It was a year of standing arms open and waiting.

Wednesday, December 25, 2013

Writing - Otter

Writing - Otter

About 3 months or so ago, Rachel challenged me to write something about an otter, or otters if that was my preference.  I don't remember but I don't think there was anything else stipulated beyond that.  I've written six stories now about otters, and most of them I don't like.  Today I wrote this one, the first sad one (write what you like) and I love the flow of it.  One hour, writing and thinking.  Unedited.  Otter.


Wednesday, November 27, 2013

Quotes - Hayao Miyazaki - On Romance

Quotes - Hayao Miyazaki - On Romance

I’ve become skeptical of the unwritten rule that just because a boy and girl appear in the same feature, a romance must ensue. Rather, I want to portray a slightly different relationship, one where the two mutually inspire each other to live– if I’ m able to, then perhaps I’ll be closer to portraying a true expression of love.

- Hayao Miyazaki


Tuesday, November 12, 2013

Connection - Subway Girl

Connection - Subway Girl

I stand with eyes closed, and the ripple play of a violin etches its way through my body.  I can feel rhythms from the top of my head down through to the soles of my feet.  Again, again.  Rhythmic and motion, a push and pull.  The casual grip of fingers through touch-less gloves as the ebb and twist of the subway cars bounce me like a bow string, legs bend and straighten, and my weight drifts on the flowing river of steel.  I am no longer he who is remembered, but a force of nature.

My mind slips away.

Thursday, October 24, 2013

Art - Blank pages

Art - Blank pages

Beginning art is paralyzing.  I know that from having lived as an 'emerging' or 'young' artist for so long.  Beginning ideas, putting words to thoughts, brush to page, or ink to paper is a paralyzing task.  It's a vulnerable proposition, committing.  I used to think of myself as being generally noncommittal, floating through life where the currents take me, but I've begun to realize that in fact to be a good artist, you need to have a sort of sense of stubbornness to you.

Beginning things starts with the simplest of things for me.  Sometimes I watch ink run down a page, or the interaction of people.  I scrawl notes on scrap paper, quick little ink drawings of gestures and facial expressions.  I concoct elaborate scenarios and scenes in my mind of how moments might have played themselves out.  The exchanges of people, the gestures, the way they look at each other, their worlds and what they see.

Pull back the camera, look at them, study their motions, imagine their home life, their relationships.

Their thoughts.

And then I throw it all away and ask them.

People are blank pages until you ask.

I'm no longer paralyzed by creating new things, there are no new things to create, only existing stories to be cataloged, imagined, and shared.

Monday, September 23, 2013

Writing - Missed Connection

Writing - Missed Connection

Posted to Brooklyn's Missed connection section.  A lovely piece of prose/wordplay. Haunting and wistful all at once.



I saw you on the Manhattan-bound Brooklyn Q train.


I was wearing a blue-striped t-shirt and a pair of maroon pants. You were wearing a vintage red skirt and a smart white blouse. We both wore glasses. I guess we still do.


You got on at DeKalb and sat across from me and we made eye contact, briefly. I fell in love with you a little bit, in that stupid way where you completely make up a fictional version of the person you're looking at and fall in love with that person. But still I think there was something there.


Several times we looked at each other and then looked away. I tried to think of something to say to you — maybe pretend I didn't know where I was going and ask you for directions or say something nice about your boot-shaped earrings, or just say, "Hot day." It all seemed so stupid.


At one point, I caught you staring at me and you immediately averted your eyes. You pulled a book out of your bag and started reading it — a biography of Lyndon Johnson — but I noticed you never once turned a page.


My stop was Union Square, but at Union Square I decided to stay on, rationalizing that I could just as easily transfer to the 7 at 42nd Street, but then I didn't get off at 42nd Street either. You must have missed your stop as well, because when we got all the way to the end of the line at Ditmars, we both just sat there in the car, waiting.


I cocked my head at you inquisitively. You shrugged and held up your book as if that was the reason.


Still I said nothing.


We took the train all the way back down — down through Astoria, across the East River, weaving through midtown, from Times Square to Herald Square to Union Square, under SoHo and Chinatown, up across the bridge back into Brooklyn, past Barclays and Prospect Park, past Flatbush and Midwood and Sheepshead Bay, all the way to Coney Island. And when we got to Coney Island, I knew I had to say something.


Still I said nothing.


And so we went back up.


Up and down the Q line, over and over. We caught the rush hour crowds and then saw them thin out again. We watched the sun set over Manhattan as we crossed the East River. I gave myself deadlines: I'll talk to her before Newkirk; I'll talk to her before Canal. Still I remained silent.


For months we sat on the train saying nothing to each other. We survived on bags of skittles sold to us by kids raising money for their basketball teams. We must have heard a million mariachi bands, had our faces nearly kicked in by a hundred thousand break dancers. I gave money to the beggars until I ran out of singles. When the train went above ground I'd get text messages and voicemails ("Where are you? What happened? Are you okay?") until my phone ran out of battery.


I'll talk to her before daybreak; I'll talk to her before Tuesday. The longer I waited, the harder it got. What could I possibly say to you now, now that we've passed this same station for the hundredth time? Maybe if I could go back to the first time the Q switched over to the local R line for the weekend, I could have said, "Well, this is inconvenient," but I couldn't very well say it now, could I? I would kick myself for days after every time you sneezed — why hadn't I said "Bless You"? That tiny gesture could have been enough to pivot us into a conversation, but here in stupid silence still we sat.


There were nights when we were the only two souls in the car, perhaps even on the whole train, and even then I felt self-conscious about bothering you. She's reading her book, I thought, she doesn't want to talk to me. Still, there were moments when I felt a connection. Someone would shout something crazy about Jesus and we'd immediately look at each other to register our reactions. A couple of teenagers would exit, holding hands, and we'd both think: Young Love.


For sixty years, we sat in that car, just barely pretending not to notice each other. I got to know you so well, if only peripherally. I memorized the folds of your body, the contours of your face, the patterns of your breath. I saw you cry once after you'd glanced at a neighbor's newspaper. I wondered if you were crying about something specific, or just the general passage of time, so unnoticeable until suddenly noticeable. I wanted to comfort you, wrap my arms around you, assure you I knew everything would be fine, but it felt too familiar; I stayed glued to my seat.


One day, in the middle of the afternoon, you stood up as the train pulled into Queensboro Plaza. It was difficult for you, this simple task of standing up, you hadn't done it in sixty years. Holding onto the rails, you managed to get yourself to the door. You hesitated briefly there, perhaps waiting for me to say something, giving me one last chance to stop you, but rather than spit out a lifetime of suppressed almost-conversations I said nothing, and I watched you slip out between the closing sliding doors.


It took me a few more stops before I realized you were really gone. I kept waiting for you to reenter the subway car, sit down next to me, rest your head on my shoulder. Nothing would be said. Nothing would need to be said.


When the train returned to Queensboro Plaza, I craned my neck as we entered the station. Perhaps you were there, on the platform, still waiting. Perhaps I would see you, smiling and bright, your long gray hair waving in the wind from the oncoming train.


But no, you were gone. And I realized most likely I would never see you again. And I thought about how amazing it is that you can know somebody for sixty years and yet still not really know that person at all.


I stayed on the train until it got to Union Square, at which point I got off and transferred to the L.