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Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts

Monday, October 27, 2025

Life - Blessings

Life - Blessings


So one extremely kind thing at Vancouver Opera. It's my first opera with them. Like many arts orgs, before opening night, we have an Indigenous blessing for all who wish to participate.

An elder speaks a few words, gives us a blessing for our performance and for our creative work. Blesses the building, the land we stand on, the air we breathe, the light we take in and all the things that bring us to that moment.

What I was not expecting, was for the company to have said a few words to the Elder to specifically call out and bless me, as the 'new member of the team' last night.

It was honestly really touching, and gratifying. I had the chance after to shake the Elder's hand and thank him.

In a role that is traditionally often overlooked, dismissed or set to the side as a lesser contributor to the arts in contrast to more 'creatives', acknowledgement and community are foundational to acceptance.

Thank you, Vancouver Opera for seeing me. 

Friday, January 24, 2025

Theatre - The History of Western Korean Theatre

 Theatre - The History of Western Korean Theatre


We took a group of friends to see History of Western Korean Theatre on opening night last night. My old roommate and I have performing arts degrees, one friend works in a completely unrelated entertainment industry, and another friend had no idea what he was getting into and brought bags of snacks like it was a night at the movies. 

Thursday, September 5, 2024

Analysis - Crimson Pierces the Twilight

 Analysis - Crimson Pierces the Twilight

People should take the time to appreciate the cultural subtleties of what seems like an incredibly straightforward Video game MV.

Check this out, then read on.

https://www.youtube.com/watch?v=qwrQzU1f99c



Monday, December 5, 2022

Discuss - I Low Key Hate AI Art

 Discuss - I Low Key Hate AI Art


I low-key kind of hate a lot of forms of AI Art.


I see the trend this weekend was for a lot of people to post their selfies using Lensa, and I get it, it looks cute, it's funny, but to the average layperson it must seem no different than applying a goofy photoshop filter or two and bam you get an instant new avatar.


It's not that. And you should be educated a little bit about some of what AI Art is, and is doing.


First off, so you know, and so we're all clear... when you use Lensa, (the avatar AI image-generating app) to make an avatar image. You should know that Lensa takes all rights to use the photos you submit and everything they create in perpetuity for marketing, study, or really...whatever they want.


This isn't particularly new, nor particularly shattering. Lots of image sits and posting setups have the same ToS. But let's keep it in mind. What you send in, and what you create is theirs and part of the model. (And is exceptionally difficult to extract, unlike your image of your birthday party on facebook that might end up in marketing material somewhere).


Everyone has a crackshot joke about "AI is coming anyway" or "I don't own anything personally anyway that they aren't already taking", and that's sort of true. But take it from someone who literally studied AI Ethics...there's a lot of dangerous ground being rapidly lost here, and people are not asking any of the even simplest questions around the technology that are probably worth asking.


"Well Lester, I don't care about them using my image for marketing"


Sure, fair. Are you concerned if they sell your photos and images to a military or national power for surveillance? What about a private company? What about individuals? Do you care if your image gets sold to a country with perhaps less-democratic intentions like...Iran?

Do you care if someone with low scruples like Musk and Twitter suddenly own rights to create with your likeness? Or derivatives with your likeness?


Do you care if policing institutions are perhaps using sorting likenesses in order to pre-screen people for crimes based on race and facial markers/tattoos/hair colors styles, genetic indicators?

Would you be mad if a private company say suddenly had photos of you? Like what if it was the United Conservative Party? What if it was Rebel Media? Probably wouldn't even be that hard.


Stable Diffusion (the AI learning dataset that Lensa is based on) is also utilizing technology methodologies based on illegally acquired medical records (specifically facial imaging, images from studies, and medical scans), acquired without consent (or knowledge) of patients. As well, they disavowed 'awareness' or responsibility that their image gathering techniques could be sourcing potentially problematic material (such as illegal pornography).


The Laion Dataset (from which Stable Diffusion sources its data), is notoriously predatory. And built without an opt-out system. When confronted about how to get materials removed from it, they said the best way is to remove the image from the internet itself, take it off a website. Think about that. That's not a solution. That also doesn't express anything about the image already in the model, nor about how the image might've already been used. They don't know. And don't care to figure it out. Images taken from medical telemetry, images taken from non-consensual porn, images taken of children, images taken from ANYWHERE.

And let me tell you, that using it as a convenient "I didn't know it did that," or "It's an AI, we can no longer control what it samples or how it is used," is not the ethical way for humans to be interacting with it. 

I know this particular technology is not going back in the box. I'm not so foolish to think we can all just convince people to 'stop using AI Art'. It represents a shortcut, and the shortcut is attractive. But studying AI Ethics is 75% a look at how we treat learning technologies and their expansive growth with an eye to the future. 25% of that is how we treat one another with respect to AI. I wish to point out as pointedly as I can, the last time we granted investiture of personhood to a non-thing like "ahem" corporations...it has not worked out so well. In an ideal society, we would not make the same mistakes with AI. 

Before we go too far down that route...


You might want to ask yourself some questions, and take the time to educate yourself about your values around it.



Saturday, April 30, 2022

Theatre - Catalyst: The Invisible

 Theatre - Catalyst: The Invisible


Many thanks last night to Kristi Hansen for inviting me to see The Invisible, playing at the Cultch. It was wild to go out to a theatre show after two years of staying literally as far away as I could from any manner of human.


It was wonderful to see old friends, many of whom I have not seen in years. Shout out to Lana Larisse Matthew and Michael Caron who it was lovely to see. And for Patrick who came with me to ensure I didn't stab anyone who coughed too close (or to help me bury a body if necessary).


 I have a myriad of thoughts about the show, some of which I discussed last night with crew and friend, some of which need to percolate through my brain as I consider them and reflect. But one I will share is that I think of the me of ten years ago, and my own views as a younger man of Catalyst shows. Which was the strange contrast of grotesque beauty we were all transfixed by. The combination of sound, music, movement, and design made its ethereal qualities engaging. The Catalyst that I watched then however was dominated by whiteness, they were European stories, done by white performers, with no voice given or space shared for anyone else. This weakness was overlooked because Catalyst was so 'amazing'. Or so we told ourselves then.


 The Invisible, I'm pleased to report does have People of Colour represented, (and is entirely performed by Women as well!). Though it is again a predominantly European story, there are people of colour on stage, telling metaphors about colonialism, and not just in a token way, but there are great strides being made forwards. Is it perfect? Well no, no piece of theatre really ever is. But they perform, they bring their voices, they bring their stories, and those things are intricately woven into the fabric of the spectacle that is a Catalyst show. They aren't merely tokenized and discarded, at least that was my feeling. If you told me, even five years ago that this is where we'd get to, I'd have scoffed at you. "That is not a theatre that cares about the voices of the marginalized that way." And yet last night, I am happily proven wrong.


 I'm glad to have gone out last night to see it. If you get the chance, either in Vancouver or sometime in the future, I would encourage you to do so as well.


Break legs friends.


https://thecultch.com/event/the-invisible/

Friday, March 25, 2022

Culture - On Music and Erasure

 Culture - On Music and Erasure


So normally when playing d&d in person, I score all my games.

Obviously, with covid and everyone playing remote now, I haven't been doing scoring because it's kind of a technical headache.

We played the other week though when Emry was in town in person, and I kicked on my old playlist.

And realized it didn't really fit though. Because it's mostly western fantasy music. A lot of European/American film scores and things like that.

Thinking I should source more Asian music, more Chinese, Japanese, Mongolian, etc.

And then I realized I've never actually composed any Asian music really (I did a couple Japanese style tracks back in uni) but nothing since then.

I've composed a lot of Western music, studied Italian masters, German composers, messed around with modern rock styles and transitioned into instrumental and post-rock.

Only extremely rarely studying Japanese rock music. But my knowledge of their styles and work are mostly confined to video games or anime.

And I'm thinking a lot about that invisible erasure I didn't know existed until today.

And I grieved this missing piece of myself, stolen perhaps by colonialism and my own missing ignorance.

Friday, March 26, 2021

Theatre - World Theatre Day 2021

 Theatre - World Theatre Day 2021


What a strange time for theatre. In days a decade ago, colleagues of mine and I were actively trying to sort out live performance, online performance, distributed audiences, disassociative theatre that was still distinctive from broadcast or recorded mediums like television and film.


We were often laughed at by our contemporaries. "It'll never work, the magic is lost, you should just practice film, people will never watch theatre online."


How different the last year has been. Faced with a kind of cruel and casual extinction, the embrace of the medium has had to change. And no one has come to me in the last year saying "It will never work." It simply has to work, or it dies.


And lo has there been ground gained. Stories by people have taken on new mediums, imperfect in their art, but art nonetheless. A kind of rabid desire to express and be expressed to.


I have been 'practicing' roleplay games for years now, and to see the transformative medium change in these pandemic times has been exhilarating and heartbreaking. By almost equal measure.


At the same time, theatre is having this distributed awakening in the wake of Black Lives Matter. In the wake of a year of protests, long and difficult conversations are finally starting to take place. Will there be realized change? I don't know. We've been at this precipice so many times before, and I think of all the shattered lives that have vanished by the wayside in the wake, but a practitioner of theatre somehow must still hold onto a kind of hope.


That this time, things will be different.


Friday, April 17, 2020

Art - Final Fantasy 7 Remake - Meditation 2

Art - Final Fantasy 7 Remake - Meditation 2

The following contains spoilers for the Final Fantasy 7 Remake, specifically for Chapter 12. You should be done Chapter 12 and firmly into Chapter 13 if you don't want to be spoiled on anything.

I hate spoilers, and I will always try to protect readers/viewers/audience where possible.


Saturday, April 11, 2020

Tuesday, February 11, 2020

Thursday, March 28, 2019

Theatre - Beauty and Sadness

Theatre - Beauty and Sadness

Theatre doesn't last.
Only in people's memories, 
and in their hearts.
That's the beauty and sadness
of it.

But that's life.
Beauty and sadness.
And that is why theatre is
life.

Tuesday, February 26, 2019

Film - Green Book

Film - Green Book - Isaac Ike

An essay on Green Book winning. By Isaac Ike


Monday, December 31, 2018

Poetry - Wish - Neil Gaimen

Poetry - Wish - Neil Gaimen

A little poem and a little art for 2019, from Neil Gaimen.

Saturday, December 8, 2018

Quotes - Martha Graham

Quotes - Martha Graham

“No artist is pleased. There is no satisfaction whatever at any time. There is only a queer, divine dissatisfaction; a blessed unrest that keeps us marching and makes us more alive than the others.”
― Martha Graham

Thursday, July 19, 2018

Open Letter - Kevin Loring to Ex Machina

Open Letter - Kevin Loring to Ex Machina

Attn: Artistic Leadership of Ex Machina and Theatre Du Soleil,

I am speaking to you as an Indigenous Theatre Artist in Canada.

It is with great concern and disappointment that I am writing you to address the issues arising from your production of Kanata that will run in New York and Paris in the coming months. Billed as “the history of Canada through the prism of relations between Whites and Natives,” it appears that the truth of this production is that it is in fact an analog for the relationship between “Whites” and the Indigenous Peoples of this land. Having read about the process that lead up this production in Le Devoir and hearing accounts from Indigenous artists and leaders who took part in the consultation process I can only conclude that this process was deeply flawed.

Nothing about us without us

Tuesday, March 27, 2018

Theatre - World Theatre Day 2018

Theatre - World Theatre Day 2018

World Theatre Day Message 2018 – The Americas

Sabina Berman, Mexico

Writer, playwright, journalist

We can imagine.

The tribe launches small stones to bring down birds from the air, when a gigantic mammoth
bursts in on the scene and ROARS –and at the same time, a tiny human ROARS like the
mammoth. Then, everyone runs away...

Monday, March 27, 2017

Theatre - World Theatre Day 2017

Theatre - World Theatre Day 2017

Isabelle HUPPERT
The message author of 2017 is Isabelle Huppert, the theatre and cinema actress from France.

World Theatre Day Message 2017 by Isabelle Huppert

So, here we are once more. Gathered again in Spring, 55 years since our inaugural meeting, to celebrate World Theatre Day. Just one day, 24 hours, is dedicated to celebrating theatre around the world. And here we are in Paris, the premier city in the world for attracting international theatre groups, to venerate the art of theatre.

Tuesday, January 31, 2017

Theatre - On Othello, Walterdale, and White Privilege

Theatre - On Othello, Walterdale and White Privilege

I'm angry.

And then I'm alternately sad.

I like the Walterdale. That theatre is fun, and we've mounted many shows on that stage. I've seen a lot of my friends cut their teeth on productions in that space, as actors, as directors. It provides a great training ground with different stakes that are necessary to provide more fuel for a successful theatre community.

Then I was made aware of their mid-season show, Othello.

It's heartbreaking.